Nin-yo performance, is a multidisciplinary project, based mainly on the stage movement and dance contemporary post-modern, which integrates art and other cultural elements that are tailored to the needs and realities of the sites
we present.
Conscience and Creation in Movement Keops Guerrero My dance education was based on the corporal conscience and the study of the anatomy and kinesiology. At present I try that my students understand that to initiate the way of dance, it is essential to have the basic knowledge of how we are conformed and we structured to mobilize to us,wich are the motors or generating somatic or physicists movements, as our possibilities and impossibilities, as the space is satisfied (tridimensionality) and that possible meaning generates the way to approach it.All this based on techniques and methodologies (Nikolais, Horton, Francis-Fandiño, Laban, among others), under which I have trained or studied throughout my experience in dance. KEOPS GUERRERO
Workshop of improvisation and creation of movement Federica Sestu (Sardegna, Italy) Dance therapist and mediator of conflicts. Federica is a creative spirit who looks for ways, playful vehicles, moments, moments, to arrive at the imperceptible thing, the nonwell-known, that is born in our capacity to be. From the conscious game, to the deep introspection; from the conception of the kinesfera, to the representation of the cultural gastronomy that has formed to us. Scents, colors, flavors and textures give life to the form, of there to the movement and further on until arriving at the creative process. Surprise, adventure, incognito\, action, search, are characteristic of the time which she makes us enter,in the trip towards the creation. KEOPS GUERRERO
Techniques and Styles of Modern Dances Marta Costa (Barcelona, Spain) Hip Hop has been the detonating to initiate a search towards the encounter with her body, her movement and her way to perceive and to approach the dance. Her trips to India and Brazil, have opened her perspective of the dance, but mainly of how introducing herselves of organic and existential way to this. Through psychosomatic emotions and exercises, Marta takes to the dancer to move in the space. Something must happen within one to initiate a dialogue with the surroundings, the energy, with the rate, the time, and all those requirements that make of the dance a complex abstract language that goes beyond the words. Metaphor, contact, stimulus, origen and connection, were some of the bases on which the actions were laid the foundations to which take Marta to us to be able to discover that without thinking it, all we go in the same boat.
KEOPS GUERRERO
Brazilian Tribal Dances and Juggling. Jaqueline Oliveira (Sao Paulo, Brazil) Through learned and executed dances afrobrasilians in Brazil , Jaqueline has adopted an inherent and natural form to its own corporal movement the escencia of the original dances. In her own scenic investigation, she adds to this its dance, elements like the painting, the fire and instruments of malabar to dance of tribal and ancestral way in contemporary times. Connection, concentration, meditation, flow and visualization, defined the classes that she gave within this 1er encounter of dance and scenic creation.
Conscience and Creation in Movement
