Consience and Creation in Movement. 1st Encounter of dance and creation. Keops Guerrero. Barcelona 2010

Conscience and Creation in Movement
Keops Guerrero
My dance education was based on the corporal conscience and the study of the anatomy and kinesiology. At present I try that my students understand that to initiate the way of dance, it is essential to have the basic knowledge of how we are conformed and we structured to mobilize to us,wich are the motors or generating somatic or physicists movements, as our possibilities and impossibilities, as the space is satisfied (tridimensionality) and that possible meaning generates the way to approach it.All this based on techniques and methodologies (Nikolais, Horton, Francis-Fandiño, Laban, among others), under which I have trained or studied throughout my experience in dance.
KEOPS GUERRERO

1st Enciunter of Dance and Scenic Creation. Workshop of improvisation and creation of movement. Keops Guerrero. Barcelona 2010

Workshop of improvisation and creation of movement
Federica Sestu (Sardegna, Italy)
Dance therapist and mediator of conflicts. Federica is a creative spirit who looks for ways, playful vehicles, moments, moments, to arrive at the imperceptible thing, the nonwell-known, that is born in our capacity to be. From the conscious game, to the deep introspection; from the conception of the kinesfera, to the representation of the cultural gastronomy that has formed to us. Scents, colors, flavors and textures give life to the form, of there to the movement and further on until arriving at the creative process.
Surprise, adventure, incognito\, action, search, are characteristic of the time which she makes us enter,in the trip towards the creation.
KEOPS GUERRERO

1st Encounter of Dance and Scenic Creation. Tribal Dances and techniques and styles of modern dances. Keops Guerrero. Barcelona 2010

Techniques and Styles of Modern Dances
Marta Costa (Barcelona, Spain)
Hip Hop has been the detonating to initiate a search towards the encounter with her body, her movement and her way to perceive and to approach the dance.
Her trips to India and Brazil, have opened her perspective of the dance, but mainly of how introducing herselves of organic and existential way to this.
Through psychosomatic emotions and exercises, Marta takes to the dancer to move in the space. Something must happen within one to initiate a dialogue with the surroundings, the energy, with the rate, the time, and all those requirements that make of the dance a complex abstract language that goes beyond the words.
Metaphor, contact, stimulus, origen and connection, were some of the bases on which the actions were laid the foundations to which take Marta to us to be able to discover that without thinking it, all we go in the same boat.

KEOPS GUERRERO

Brazilian Tribal Dances and Juggling.
Jaqueline Oliveira (Sao Paulo, Brazil)
Through learned and executed dances afrobrasilians in Brazil , Jaqueline has adopted an inherent and natural form to its own corporal movement the escencia of the original dances.
In her own scenic investigation, she adds to this its dance, elements like the painting, the fire and instruments of malabar to dance of tribal and ancestral way in contemporary times.
Connection, concentration, meditation, flow and visualization, defined the classes that she gave within this 1er encounter of dance and scenic creation.

KEOPS GUERRERO.

Dance and Physical Theater workshop. Moveo Company. "Dies de Dansa" Festival. Keops Guerrero. Barcelona, Spain. 2010

"...DIES DE DANSA is an artistic event destined the community, that public of Barcelona, Sitges appears in the spaces, Mataró and Sabadell. It consists of a programming of dance with a great variety of languages, tendencies and origins, and with an extremely ample diversity of proposals..."

"...2010 Workshops essentially look for the bond and the proximity with the community, being interested in its problematic and its internal mechanisms..."
Dance and physical Theater workshop within the framework of the festival "Dies de Dansa" , concluding in a presentation the 3 of July between the 12:00 and 13:30 hrs., in the Jardín de las esculturas of the Fundació Joan Miró.
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MOVEO: "...We concentrated in the production of spectacles of own and contemporary creation. The primary objective of the company is to develop theater spectacles that use the body like main means of expression, also integrating audio-visual text, music, stage scene and means..."

The workshop was made up of dynamic of exploracióm and investigation of the movement from exercises of tone muscles, action, dynamo-rates, space and anatomical conscience on the basis of the planes that conform the tridimensionality and the segmentation of the body in head, chest and hips
The use of time and transition between the movements, as well as improvisation exercises, were indispensable in the formation and creation of the language and structures of the assembly.

"...Excluded, rejected, useless, forgotten… the work and the yield they define the utility of the modern social being. How we watched at that they do not produce anything, at that they do not enter the game to produce, to that the same game has left a side of the highway?em>

Citizens without work or papers, citizens to those who we denied the right to the health, parents which they take care of his family, children who take care of their parents.
"...What happens in these supposedly unproductive lives? A factory to give voice, body, movement and value to the people that, according to social criteria are, it lost..."

Moveo Company

Direction: Sthephane Leyy and Sophie Kasser.

Duration: Of the 21 of June to the 3 of Julio of the 2010.

Schedule: Monday through Friday of 10:00 am to 13:00 pm

Physical theater tecnic (Corporal mimo).

"...Dramatic corporal mimo of Etienne Decroux half takes the main body like from expression and to the actor/actress like departure point for the creation, with the aim of thus making the hair net visible (E. Decroux), allowing show the thought him through movement..."

Aerial dance and fire performance. Los Cabos desert, México. Keops Guerrero. December 2007.

Aerial dance and fire.

Spectacle for event deprived in Los cabos desert. December 2007.

Fire: Magda Guzmán, Marcela Resendez, Daniela Del Villar and Keops Guerrero.

Skills: Keops Guerrero

Voice (singer): Daniela Del Villar.

Percusionss: Chito, David and Daniela Del Villar.

I Confess. Modern and Contemporany Dance. Keops Guerrero. Barcelona Spain. April 2010

"I confess" (creative process). Contemporany Dance. Choreographie: Alejandro Montiel.
Dancers: Keops Guerrero and Alejandro Montiel.
Dance Companies: Nin-Yo Performance and Rajandocueros.
Gate of practice: "La nave espacial" and centro cívico "El Reloj"
Barcelona, Spain. April 2010

La nau/La nave/The ship. Modern and contemporany dance. Keops Guerrero. Barcelona, Spain. January 2010

La Nau-La Nave. (Proceso creativo)

Choreography: Alejandro Montiel.

Dance Companies: Rajandocueros y Nin-Yo Performance.

Dancers: Yolimar Cabrera, Merche B., Alejandro Montiel y Keops Guerrero.

Place of practice: La Makabra (Ávila 176), Glorias.

Barcelona, Spain. December 2009.

Short stories of freedom. Modern and Contemporany Dance. Keops Guerrero. Barcelona, Spain. September 2009

Three years ago I created a work of dance and titled theater “Short Stories of Freedom”, conformed by three monologues and three single ones of dance, to present display it in the facilities of the center of social readjustment denominated “La Modelo”, that is in the city of Barcelona, Spain.
This year I participated with the same work in another center from readjustment to the outskirts of called Barcelona"Cuatro Caminos".
Throughout this and other experiences I have questioned several things as far as the coercion systems, imprisonment and supposed readjustment that no longer proposes the state in Mexico but throughout the world or at least in the western cultures to close a little plus the circle, They are really necessary? They work? Who is responsible, the delinquents or the total population? The victims or the victimarios? Exists as much a point of reflection and conciliation by the transgressors, as by the society?
The paper of art and culture within the pedagogical, psychological, psychosomatic programs, etc., proposed for the centers of social readjustment must be inserted like a basic necessity for the development and understanding of the human being after a violent action or transgressor, or to way of appreciation, execution or education; the society generally we must consider that by very high that is the crime committed by a citizen, it does not turn it into its totality in a monster, is only a human being harnessed in its violent, unconscious side or both, reason why like resemblances in species, is our responsibility, to understand, to participate and to propose at human level, the true conscious and responsible readjustment to the society. The violence is not mitigated with violence.
KEOPS GUERRERO
You can read the article complete in spanish here:
http://culturaymexico.blogspot.com/2009/12/cuando-curse-los-estudios-medio.html

Papalotl. Modern and contemporany dance. Keops Guerrero. Barcelona, Spain. December 2009

PAPALOTL (De mil colores Butterfly)

Dance sheres with butterflies the subtility, the color, the beauty and ugliness, the incognit, the contact with earth and air, the metamorphosis, transformation, but mainly the ephemeral act of its existence.

Creative process of choreography in contemporany dance for one dancer.

Place: La Makabra (nave okupa), Barcelona, Spain.

december 2009

Keops Guerrero, Creator.