Nin-yo performance, is a multidisciplinary project, based mainly on the stage movement and dance contemporary post-modern, which integrates art and other cultural elements that are tailored to the needs and realities of the sites
we present.
"I confess" (creative process). Contemporany Dance.Choreographie: Alejandro Montiel. Dancers: Keops Guerrero and Alejandro Montiel. Dance Companies: Nin-Yo Performance and Rajandocueros. Gate of practice: "La nave espacial" and centro cívico "El Reloj" Barcelona, Spain. April 2010
Three years ago I created a work of dance and titled theater “Short Stories of Freedom”, conformed by three monologues and three single ones of dance, to present display it in the facilities of the center of social readjustment denominated “La Modelo”, that is in the city of Barcelona, Spain. This year I participated with the same work in another center from readjustment to the outskirts of called Barcelona"Cuatro Caminos". Throughout this and other experiences I have questioned several things as far as the coercion systems, imprisonment and supposed readjustment that no longer proposes the state in Mexico but throughout the world or at least in the western cultures to close a little plus the circle, They are really necessary? They work? Who is responsible, the delinquents or the total population? The victims or the victimarios? Exists as much a point of reflection and conciliation by the transgressors, as by the society? The paper of art and culture within the pedagogical, psychological, psychosomatic programs, etc., proposed for the centers of social readjustment must be inserted like a basic necessity for the development and understanding of the human being after a violent action or transgressor, or to way of appreciation, execution or education; the society generally we must consider that by very high that is the crime committed by a citizen, it does not turn it into its totality in a monster, is only a human being harnessed in its violent, unconscious side or both, reason why like resemblances in species, is our responsibility, to understand, to participate and to propose at human level, the true conscious and responsible readjustment to the society. The violence is not mitigated with violence. KEOPS GUERRERO You can read the article complete in spanish here: http://culturaymexico.blogspot.com/2009/12/cuando-curse-los-estudios-medio.html
Dance sheres with butterflies the subtility, the color, the beauty and ugliness, the incognit, the contact with earth and air, the metamorphosis, transformation, but mainly the ephemeral act of its existence.
Creative process of choreography in contemporany dance for one dancer.
The Moving Stage Project Miloupourtout is an intercultural performance project foryoung artists. It has been developed in order to provide performers (e.g. from dance,theatre, acrobatics and pantomime) the possibility to present their work in several regionsin Europe on a moving stage. Hence, we shall create a multicultural evening variety showwith artists from several different countries. During several days of workshops andrehearsal, the participants can collect new impulses for their pieces. The final eveningprogramme will consist of a variety show which is created of several groups with up to30 participating performers variety show. After the event the artists will have thepossibility to further exchange ideas and techniques.
In order to create a dynamic and moving variety show, a core group of performers willtravel from Berlin to Porto via Barcelona between mid October and the end ofNovember. Thus the conception and performative usage of the mobile stage will renderpossible to present shows independently from the local performing spaces, often insurprising locations especially scouted by us!
With a close proximity to the melodious name of Miloupourtout – a fantasy name whichhighlights the playful, dynamic and connecting spirit of our project – we intend toprovide an intercultural and transnational artistic platform, which shall leave behindprejudice and national stereotyping. We intend to build cultural bridges by bringingtogether people from different national, artistic and disciplinary backgrounds. Throughthis exchange, we learn from each other by intern workshops, which reflect the creationin our variety show. This show is characterized by the different – performative – accentsof people from all over Europe. We further want to stress not only the phase ofperformance, but also the post-production through interactive and dynamic ways ofparticipation. This will also continue after finishing the tour, as we wish to create aninter-European space with a close network for future projects such as workshops and jobplacements in the artistic area.
On Sunday 17 of May carried out in the facilities of the house of the culture of Cabo San Lucas, BCS. The presentation of several scenic artists celebrating the world-wide day of fight against homofobia. Beyond being in agreement or not for the minority groups, to this day show us that in our country we are understanding that we must respect and accept to all by an equal; it is a day in which we are against the fear and of hatred. Homofobia is not exclusive of people with heterosexual preferences, within the same heading gay exists a great amount by ricochet and of hatred, for this reason, this day is a reflection for all those that when they listen to the homosexual word to them some type of noise produces, fear, rejection or hatred. We analyze then which is the origin of our evils.Choreography: study for a tree.
Choreographer: Alberto Rosales.
Category: Hip Hop Contemporary.
Group: Nin-Yo Performance.
Performers: Leonor Báez and Keops Guerrero.
Direction: Keops Guerrero.
Photography: Daniel Busts. Costumes: Leonor Báez and Keops Guerrero.
Dance sesion at Los Cabos, Baja California Sur, México. In the beaches of love and divorce. Pacific Ocean. May 2009. For International day of the dance promotion.
"Perspectivas sociales, Dances to wake up" it´s a season of modern dance presented at the Baja California Sur state in March 2009. Conformed by the modern dance pieces:
Heroes and Heroines
Human reactions
In the shadow of fear
Let me tell you a history
Human been wanted to be loved, smelled and destroyed
Presented in San José del Cabo and La Paz city. Three stages, three coreographers. Melanie Davis, Leonor Báez and Keops Guerrero.
Human been wanted to be loved, smelled and destroyed. Choreography: Leonor Báez Companys: Metate y manos and Nin-Yo Performance. Dancers: Keops Guerrero, Melanie Davis and Leonor Báez. Escenography: Keops Guerrero and Daniel Bustos. Piece of modern dance presented at the XV Contest of contemporany dance in Hermosillo, Sonora, México. November 2008.
The best of "The Nutcracker". Winter scenic practices.
In this performance a personal version inspired by the music of Tchaikovsky appeared, some elements to the scenic assembly and history were taken in addition. Workshops of creative and clasic dance I, II and III.
Theater "Miguel Lomelí Ceseña", San José del Cabo, BCS. México. December 2008.
Direction, teaching and choreography: Keops Guerrero.
Applied to the dance technique and the choreography proposal by Pilar Urreta.
Inside the project "Continuos Formation workshops" in Los Cabos, México.
Summer 2008.
JUSTIFICATION
THIS FACTORY HAS THE INTENTION TO PRESENT THE FRAME THEORETICAL THE LABAN MOVEMENT ANALYSIS IN ORDER TO APPROACH PROFESSIONALS AND STUDENTS OF THE DANCE AND THE MOVEMENT TO THE TOOLS DEVELOPED BY RUDOLF VON LABAN AND THEIR DISCIPLES. THEIR CONCEPTS AND IDEAS ENRICH THE CREATIVE PROCESS OF THE CHOREOGRAPHY AND GIVES BETTER INTERPRETATIVE TOOLS TO THE DANCER.
OBJECTIVES
THE PARTICIPANTS WILL LEARN HOW THE THEORETICAL FRAME OF THE LABAN ANALYSIS IS CONFORMED, THEIR PHILOSOPHICAL PERSPECTIVE AND ITS POSSIBLE APPLICATIONS, AS MUCH IN THE EDUCATIVE FIELD AS CREATIVE AND THE THERAPEUTIC ONE. ALSO, HE WILL KNOW AND DEVELOP SPECIFIC SKILLS IN THE APPLICATION OF SOME OF THE THEORIES, EG: THEORY EFFORT /SHAPE, THEORY CORÉUTICA OR HARMONY OF THE SPACE AND THE CHORAL MOVEMENT. FROM THESE KNOWLEDGE AND PERSPECTIVE, HE WILL BE ABLE TO DEVELOP TO HIS OWN TOOLS APPLICABLE TO THE CHOREOGRAPHY AND THE TECHNIQUE.