Nin-yo performance, is a multidisciplinary project, based mainly on the stage movement and dance contemporary post-modern, which integrates art and other cultural elements that are tailored to the needs and realities of the sites
we present.
The best of "The Nutcracker". Winter scenic practices.
In this performance a personal version inspired by the music of Tchaikovsky appeared, some elements to the scenic assembly and history were taken in addition. Workshops of creative and clasic dance I, II and III.
Theater "Miguel Lomelí Ceseña", San José del Cabo, BCS. México. December 2008.
Direction, teaching and choreography: Keops Guerrero.
Applied to the dance technique and the choreography proposal by Pilar Urreta.
Inside the project "Continuos Formation workshops" in Los Cabos, México.
Summer 2008.
JUSTIFICATION
THIS FACTORY HAS THE INTENTION TO PRESENT THE FRAME THEORETICAL THE LABAN MOVEMENT ANALYSIS IN ORDER TO APPROACH PROFESSIONALS AND STUDENTS OF THE DANCE AND THE MOVEMENT TO THE TOOLS DEVELOPED BY RUDOLF VON LABAN AND THEIR DISCIPLES. THEIR CONCEPTS AND IDEAS ENRICH THE CREATIVE PROCESS OF THE CHOREOGRAPHY AND GIVES BETTER INTERPRETATIVE TOOLS TO THE DANCER.
OBJECTIVES
THE PARTICIPANTS WILL LEARN HOW THE THEORETICAL FRAME OF THE LABAN ANALYSIS IS CONFORMED, THEIR PHILOSOPHICAL PERSPECTIVE AND ITS POSSIBLE APPLICATIONS, AS MUCH IN THE EDUCATIVE FIELD AS CREATIVE AND THE THERAPEUTIC ONE. ALSO, HE WILL KNOW AND DEVELOP SPECIFIC SKILLS IN THE APPLICATION OF SOME OF THE THEORIES, EG: THEORY EFFORT /SHAPE, THEORY CORÉUTICA OR HARMONY OF THE SPACE AND THE CHORAL MOVEMENT. FROM THESE KNOWLEDGE AND PERSPECTIVE, HE WILL BE ABLE TO DEVELOP TO HIS OWN TOOLS APPLICABLE TO THE CHOREOGRAPHY AND THE TECHNIQUE.
The 29 of April of 2007 were the first celebration of the international day of the dance that absorbed, managed and carry out the H. IX City council of the Cabos through the direction of municipal culture directed by the Profa. Tonantzin Puls (municipal head in San Jose del Cabo) and the coordination of culture (Cabo San Lucas) represented by the C. Jorge Chávez. In Cabo San Lucas this evente was coordinated that day with the effort of some local artists like Carlos Limón, Magdalena Rocha (Green Apple Studio), teachers of the house of the culture and Keops Guerrero (Nin-Yo Performance) in the place “Leon Cota Collins”. That same year the theater was inaugurated Miguel Lomelí Ceseña in San Jose del Cabo.
The Methodology of Professor Xavier Francis, was born, and part is based on the need for scrubbing the SER. Its engine is conscious love, perfection by demonstrating the expression of spirit through the body. Thus every action that is brought to life is first experiencing the depth of being and therefore will be implemented through body movement, even though that has to be aware of the elements that are driving, you'll have greater freedom, clarity and harmony.
Dance classes at a professional level and launching organized and managed by the Guild of dance in Los Cabos.
The main objective is to improve and update the current dance-makers in this town, and the other to give students who begin their training in dance, a range of possibilities that modern dance offers.
1st meeting of the municipal dance in which they shared the stage more than 130 children, teenagers and adults of the towns of San Jose del Cabo and Cabo San Lucas in a context of harmony, respect and professionalism. Various genres of dance including classical ballet, musical comedy, capoeira, Hawaiian, contemporary dance, dance Arabs and Hindus, Hip Hop, Tap Dancing and Hispanic.
PRODUCTION MANAGEMENT AND GENERAL: Keops Guerrero.
PARTICIPATING SCHOOLS:
Nin-Yo Dojo. by: Keops Guerrero
Shati Salam. by: Jimena Fanjul
Sporti-K. by: Sofia Rubio.
Fable Dance: by: Fabiola Garcia.
VARUA O Tahiti Nui. by: Maui Vizcaino.
Solstice Dance Company. by: Melanie Erin Davis.
Expression and movement of Carlos Limón. by: Carlos Limón.
"Training courses" Los Cabos, B.C.S. April 2008 Contemporary dance course taught by Jorge Domínguez and Rosa Romero in two modules. Contemporary dance technique that provides the basic tools necessary for the dancer and choreographer to develop a search of movement and establishment, beyond the style and form.
